Posts tagged 'Geometric'

It’s Called “Moon”

Straight-away I was reminded of Jake Fried, but only in materials/process. It’s clear that Emanuele is also intuitively fleshing out the movement frame-by-frame as he goes but his work is unique in that there’s no figurative elements to recognize; only abstract geometry and form that, when quilted together, comes across as both familiar and foreign.

I’m reminded of the notebooks I used to fill with random scribbles while bored out of my mind in high school: I’d start with a stray line or a random shape and then try to make sense of it with the remaining paper, as if the choatic mess left by my pen was what I had intended to create from the beginning. It was a way to pass the time and entertain myself instead of blankly staring at the clock, fantasizing about the bell that would eventually set me free.

Thanks for passing this one along, Sam Lillard!

P.S. I recommend giving Jake’s work a look when you’re done here.

[ It's Called "Moon" ]

Andy Gilmore

“There was a period in my life where I only drew with a pencil and being able to erase paralyzed me. I could draw a hand and it would take me three days, you know, and it would be a 1/4” by 1/4”; just a tiny little thing. And then one day I just started drawing with pen and all of a sudden I could just draw endlessly. In fact, there was no undo and it kind of changed all of that. And then the computer oddly, the undo is what gives me the freedom to just explore any idea that comes to my mind and essentially I just follow any impulse or any idea because I can explore fairly freely.”

Andy Gilmore‘s work is squarely up my alley and it’s wonderful to hear, in his own words, what inspires him to create. The always-excellent Ghostly International (who tapped Isabel Freeman
, Will Calcutt and Brian Fichtner to create the attached) has some of Andy’s prints for sale in addition to some excellent hi-res, free-to-download wallpapers ready to adorn your glowing screen of choice.


[ Ghostly International presents Andy Gilmore ]


Absolutely loving the spartan, monochromatic and tight-as-fuck animation in this Mathieu Bétard-directed music video for Kris Menace. It’s a delicate mix of mirrored-and-repeating geometric ‘morphables’, rotoscoped figures and bizarre transitional touches where everything besides line, form and movement is swept aside. Just absolutely gorgeous stuff.

Special mentions are due to Jonathan Djob Nkondo and Pierre Ruitz (who, along with Mathieu, handled animation duties) and WIZZ for some top-notch production.

If you enjoyed the attached then definitely give Chunkothy a watch next, I’m 100% positive you’ll dig it. Cheers!

[ Kris Menace feat. Miss Kittin - Hide ]


Yes, please. I’m a sucker for wormholes and Jesse Kanda‘s geometric, seapunk(ish), refracted-and-ray-traced slow-dive for Arca‘s Manners is an excellent example of the form.

Serving instructions:

  1. Get the attached loaded in HD on your largest available screen and position your head close enough to it so that the majority of your field of vision is filled.
  2. Put your headphones on.
  3. Stare directly into the center of the screen and keep your eyes fixed that way for the duration of the video.
  4. Enjoy the magic that happens in your peripherins.

Cheers to Peter Verner for passing this along on Twitter. Thanks!

[ Arca - Manners (HD) ]


“The seemingly random elements tell the tale of a day in the life of three different characters who live in Seoul - all of whom are watched over by the ever present Mountains which ring the city.”

This one reminds me a bunch of Thursday. The attached and the aforementioned both sport hard-edged, bright, geometric and graphic visuals with some tight, complimentary sound design. Gorgeous stuff.

P.S. Go watch Thursday next.



Gorgeous, haunting and dripping with atmosphere, this film by Thierno Bah, Noé Giuliani, Pierre Ledain and David Martins da Silva deserves your undivided attention. Stylistically it reminds me of both Fosters and Samurai Jack (high praise, for sure) but, in terms of thematic fare, this is a dish meant for adults, not kids.

The word ‘heavy’ comes to mind.

Don’t hesitate to dive in, bruh. Oh and grab your headphones, the sound design by Prince N’Gouda Ba is top-flight.

If you want to keep the contemplative train rolling I recommend checking out Between Bears next. Enjoy!

[ OBEN ]


About ten seconds in I started smiling, immediately caught off-guard – in the most pleasing of ways – by this Joshua Catalano-created journey through a hard-lined, cell-shaded, abstract geometric landscape. The slightly muted palette compliments the loopy, minimal tech-throbs of John Talabot rather well – so much so that I’ve re-watched it a dozen times already.

I typed out a couple of other paragraphs about the attached but they all felt forced, cheap even. I decided to call it quits and just post the damn thing after I remembered some wise words from the great John Peel: “At the heart of anything good there should be a kernel of something undefinable, and if you can define it, or claim to be able to define it, then, in a sense, you’ve missed the point.”

Cheers to that.

I can talk about other stuff in this space, right? OF COURSE I CAN. Here’s some stuff I recommend you check out at your soonest convenience:

1. The Ghostfaced Pixels by Safety Words. It’s a Wu-centric mix tape backed with NES sampled beats…for a taste, give Snikt (my favorite cut from the album) a listen. It’s a free download so don’t hesitate to get on that shit.

2. Veep. HBO consistently brings the heat and each episode of the Elaine-helmed, all-star cast is packed with hilarious, smartly-written dialogue. If you’re in the market for LULZ, this one delivers.

3. Do y’all watch Big Brother? Y’all should. My wife got me into it three summers ago after a prolonged campaign of brute-force pleading until I finally gave-in. I’m glad I did. At first glance it looks simple and trashy but if you crack open it’s seemingly cheap facade you’ll find a warm, tasty center that yields a bumper crop of entertainment. The latest season premieres this Thursday. Want to watch it together?




Pay attention to the color in this one. Notice the differences in palette when it’s just the father or only the daughter; this is the arrow, pulled deftly from the quiver and notched silently to the string. The bow is drawn at 3:21 and, by the time it is loosed at 3:27, there’s no time to get out of the way. Just let it hit you. In my case, the aim was true.

Cheers to Eusong Lee, a student at Calarts, for the stellar job.

[ will (director's cut) ]

Changing The Rain

Just a heads-up: you might not be able to watch the video here (if you can’t then click here). Why? VEVO. My disdain for the service is well documented but I’ve softened a bit and think a personal grudge towards a distribution model (with an unnecessarily shitty user experience) is a poor reason to not share these tasty bits with y’all. Plus, if MADE ever uploads a HD version to their Vimeo account I’ll just update the post. You dig?

Anywho, this shit is doooooooope; a glorious four-and-a-half minute technicolor psychedelic romp down geometric wormholes, past kaleidoscopic alien abductions and into the mouth of God. Full 1080p too, so get this shit full screen.

Pete Fowler directed this one and, if you’re not familiar with his work, I recommend you head over to his Flickr account immediately; his bold graphic style is a treat. Oh, and if The Horrors intoxicating blend of starry-eyed, psychedelic, rambling synth-drenched rock is your thing I recommend you check out Skying for lots more of the same. It’s the kind of album you’d want on a road trip; it’s cinematic but contemplative, bright and big but a bit lazy, too. It’s all rather nice really and easily worth the ten bucks.

A HUUUUGE thanks is due to Naz for sending this one our way…cheers!

[ The Horrors - Changing The Rain ]

Psychic Land

The first thought that popped into my brain after watching the attached: I want to go to there. The second? 2veinte should develop this into a 30 minute show. No dialogue, no traditional story arcs; just weird, bursting-with-candy-color visuals backed with arcadey, reminiscent-of-a-Casio-keyboard-demo-mode tunes. WHOWOULDN’TWANTTOWATCHTHATAMIRITE??

2veinte is giving away free Psychic Land posters to fifty random fans of theirs on Facebook. They don’t seem like the constantly-spamming-your-newsfeed-type so if you want a chance to win some rad art for your wall you might want to head on over; the effort-expended-to-possible-reward ratio skews generously in your favor.

Oh, and be sure to check out Let’s Face Symmetry – also by 2veinte – which we posted back in August.

[ Psychic Land ]


Yes please.

OK: headphones-on, lights-down, full-screen and volume way-the-fuck-up. Today’s heady dose of deep, dubby, synth-drenched, head-down tech-house goodness is generously provided by the always-right-on Simian Mobile Disco. It’s a tune from their upcoming album Unpatterns which, for me at least, will be an instant purchase when it’s released in a few weeks on April 15th. If you’d prefer a physical copy of your music – in spite of the fact that we’re firmly in the age of instantly-transmittable bits – you can pre-order it on vinyl or a CD right now via the Wichita Recordings website.

It’s not just the music that’s top-notch but the just-under seven minutes of tastefully restrained, simple, tight, geometric, sometimes-in-sync-and-sometimes-ambling visuals (as created by long-time Simian-collaborators Jack Featherstone and Will Samuel of London-based ISO), too.

We love shit like this, Jordan – thanks so much for sending it our way. Cheers!

[ Simian Mobile Disco - Cerulean ]

The Work of Andy Gilmore

'Hemicube (Detail)' by Andy Gilmore (
'Hemicube (Detail)' by Andy Gilmore ('11-21-2011' by Andy Gilmore ('07-27-2011' by Andy Gilmore ('Red Shift (Framed)' by Andy Gilmore ('2-9-2012' by Andy Gilmore ('12-14-2011' by Andy Gilmore (

“A master of color and geometric composition, Andy Gilmore’s work is often characterized as kaleidoscopic and hypnotic, though it could just as well be described as visually acoustic, his often complex arrangements referencing the scales and melodies in music…” (more)

I first discovered Andy Gilmore whilst perusing Ghostly’s free-to-download wallpapers page. Even among all the truly top-flight work on display there Andy’s distinct, colorful, geometric and just down-right pleasing images stood out. The Hemicube is currently occupying the base layer of pixels on my Air and a few times already today I’ve employed Exposé to quickly sweep aside any obscuring windows to take in the whole image.

The six images selected here for your perusal were found during a quick once-over of Andy’s massive, seven page archive that houses, at present, one-hundred and fifty four images. So if this didn’t sate your appetite (and why would it?) visit there for a more considered, patient browsing session. Oh, and if you want some that are a suitable size to adorn your desktop just head on over to Ghostly, they’ll take good care of you.

Can I suggest an appropriate auditory accompaniment for your ear drums while your eyes take the colors in? If you’re up for it, give a listen to Get Better John by Mux Mool. I recently picked up his latest album, Planet High School on iTunes and, since then, it’s been in constant rotation through my headphones. Needless to say, I highly recommend you check it out.

[ Andy Gilmore ]


“In a quest for happiness, a giant creator cannot break away from its redundant abstractions. What could possibly be waiting in the exterior world, where light and opportunity thrives?”

Dave Hughes – the man at the center of the fantastic [adult swim] show, Off The Airwrote in to say hello and suggest we check out this short film created by PepperMelon. It’s a potent dose of bizarre presented in gorgeous, colorful, high-definition so do yourself a favor let this one load full-screen before clicking play. Oh and grab your headphones while you wait for the bits travel through the tubes, the sound design by David Kamp is especially nice.

BONUS: Mr. Hughes also let us know that the latest episode of Off The Air, Dance, is available for your viewing pleasure. It’s just as rad and strange as the other two so make quick with the clicky-clicky. The Tripatorium™ loves you Dave, keep up the fantastic work!

[ "fIRST" - a short story by PepperMelon ]

Partitura 001

“Inspired by the studies of artists such as Kandinsky, Paul Klee, Oscar Fischinger and Norman McLaren, the images generated by Partitura are based on a precise and coherent system of relationships between various types of geometries. The main characteristic of this system is its horizontal linear structure, like that of a musical score. It is along this linear environment that the different classes of abstract elements are created and evolve over time according to the sound…more

It’s Saturday night! What are y’all up to? Can I make a suggestion? Watch the attached video on the largest, highest resolution screen you’ve got and run the sound through the best speakers/headphones available. Enjoy!

Oh! Right! The credits! Partitura is an ongoing collaborative software project between Abstract Birds and Quayola that’s built in vvvv. Tunes by Telefon Tel Aviv.

[ Partitura 001 ]

Tasty Visuals

Here’s some hard-lined, colorful, geometric vector eye candy to snack on courtesy of UK motion designer Neal Coghlan. Equally tasty tunes by Kraak & Smack. I’m into it.

[ Tasty Visuals ]

Press +

Benjamin Ducroz‘s work combines a variety of media – in this case 3D modeling, paper, inkjet printed frames, watercolor paints, water and ink – into geometric, abstract and beautiful animations. Yes, please.

[ PRESS + ]

Vectorfunk with Matt W. Moore

'Sacred Vectorfunk' by Matt W. Moore
'Sacred Vectorfunk' by Matt W. Moore'Crystals and Lasers' by Matt W. Moore'Bicycle' by Matt W. Moore'Sacred Vectorfunk 2' by Matt W. Moore'Three Posters' by Matt W. Moore'Cosmos' by Matt W. Moore

I love the energy Matt creates by combining hard-lined geometry, vibrant colors and intricate patterns.  Click through to his website to see loads more. Oh, and if you’re in the market for some wallpaper you might want to check this out, too.

[ : : : MWM Graphics : : : ]

Between Bears

Between Bears is Eran Hilleli‘s graduation film from his time at the Bezalel Academy of Art and Design. It’s stylish, haunting, contemplative and won the Animation Prize at Vimeo’s first film festival in New York City this past October. Here’s to a long, productive career, Eran…keep up the great work!

[ Between Bears ]

Flux by Candas Sisman

Dear Hollywood,
Please give Candas Sisman gobs of money so she can make a feature length movie with no dialogue and lots of visuals that look like this. Thanks in advance!
The Tripatorium™

[ F L U X via Wired ]